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January 2009
Fly-er They’re known as pesky and annoying. Yet, when magnified they become an art form — at least in Images from Science, an exhibition of scientific photography showing at ArtStreet gallery through March 26. When staring at the work, it looks like a fine abstract painting. The meticulous rows of spheres with wispy strands form the beast’s structure. Wrapping lines spin tightly around the spherical mass of round and block shapes, almost hiding its true identity. Other beauties to be found include a songbird in flight, tick feeding on human flesh, 6-month old fetus and honeybee licking sugar. The works making up the exhibition, organized by the Rochester Institute of Technology, span universities across North America, Europe and Australia. Godwinks "Sometimes you feel something so beautiful, so joyous, that you should just walk away and don't touch it." Those poignant words from President Daniel J. Curran perfectly captured the emotion that enveloped the Kennedy Union ballroom after Susan Ferguson and Joseph Saliba spoke from their hearts about what it meant to receive this year's Lackner Awards for their dedication to the University's Catholic, Marianist mission. Ferguson, director of the Center for Catholic Education, spoke of the power of "Godwinks" — "a silent, little message of assurance that no matter what is happening in your life or how uncertain things may seem a the moment, God is with you and will help you move toward certainty." Saliba, interim provost, escaped "by the skin of his teeth" from war-torn Lebanon, finally ending up at the University of Dayton where he learned English and earned three degrees. "I love the University of Dayton, like I love my homeland and that beautiful mountain town of Bteghrine, because mine is a story of how the Marianists and this University saved my family," Saliba said. "This is a story of how a Midwestern university restored a broken family, their bonds threatened by war. Yes, this University gave me and all of my brothers and sisters an education. But that isn’t even the half of it, not even close: this University brought us together again, allowed us to bring our parents to safety; this University allowed us to meet our spouses, for us to have children, for us to live our lives. "This University," he said to a hushed room, "read the signs of our own troubled times in Lebanon and embraced us in the full, warm, and loving mantle of Mary."
Boll asylum Twitching body bags, heavy fog and the emotional effects of insanity may spook audiences at the University of Dayton Dance Ensemble’s winter concert tonight and tomorrow night. Choreographed by director Mark Cummings and lead dancers Damion Smith ’97 and Tiffany Lobertini, “The Aviary: A Ghost Story” follows the main character’s struggle to distinguish reality from illusions as he loses his mind in an insane asylum.
“It might scare you,” Cummings said. “(Audience members) may feel some anxiety or paranoia.” This year’s concert is slightly different than traditional ensemble performances, he said. The show is one extended piece with an underlying story, not the habitual four- to five-piece repertoire. But like past performances, the concert includes various local dancers. “The ensemble is not just for UD dance students,” Cummings said. “We invite guest artists and try at give former dancers in the community a chance to perform.” Smith is a former dancer with SMAG Dance Collective and a choreographer and rehearsal director for the ensemble. Lobertini joins the ensemble from the Gary Geis Dance Co. in Springfield, Ohio. The show also includes two local UD alumni. The performance and delusional journey to the insane asylum begins at 8 p.m. both nights in Boll Theatre.
My Old House: 228 College Park
Compliments from and to the chef Sometimes success means not having to raise your hand.
This term’s dinner offered British and Scottish food headlined by leg of lamb with accompaniments including “bubble and squeak.” (I did Google that in advance to see what I’d be eating. Recipes online paled before Schotz’s concoction of potatoes, cabbage, turnips, Brussels sprouts and leeks.) At the end of the meal, I was able to talk with Schotz of the dinner (I now know more about clotted cream — served that night with scones — and blood sausage, a future possibility that needs a new name). And, as we talked of the wines, Schotz mentioned how Davis’ enthusiasm for wine transfers to his students. I told Schotz I thought his love of his work was also contagious among his food service colleagues. And he told me a story. He was attending an off-campus conference on management when a presenter asked the attendees how many had since being at the conference called back to their campuses to check how things were going. All but one raised their hands and received the message that they were bad managers — if they were good, they would not have to call. Schotz was the one attendee who didn’t raise his hand. He had learned that lesson earlier. Returning from trips, he had noticed he had to put out metaphorical fires, calm bickering and sort out problems. He resolved to create an atmosphere where people could and would do their jobs without him needing to be present. So now he has more time to come up food challenges for Tom Davis’ wine pairings. Australia, perhaps?
Slumdog millionaires? No, but they're entrepreneurs
Zielonko said students across a variety of studies are increasingly caring about human rights in their future jobs, making Human Rights Week a little better every year and giving her hope for a better world.
My Old House: 115 Evanston
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