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Pope
John Paul II's Suggestions for the Rosary
THE
FOUR SETS OF ROSARY MYSTERIES
In
his letter On the Most Holy Rosary (Rosarium Virginis Mariae), Pope
John Paul II offered suggestions for praying the Rosary more
fruitfully. He introduced a new set of mysteries, the mysteries of
light or luminous mysteries, which focus on important events from the
public life of Jesus. Formerly, the rosary bypassed Jesus' public
ministry by going directly from his childhood to his passion. While
any set of mysteries can be recited at any time, the Pope recommends the
following pattern:
Joyful
Mysteries: Mondays and Saturdays Sorrowful
Mysteries: Tuesdays and Fridays Luminous Mysteries: Thursday Glorious
Mysteries: Wednesday and Sundays |
This
indication is not intended to limit a rightful freedom in personal and
community prayer, where account needs to be taken of spiritual and
pastoral needs and of the occurrence of particular liturgical celebrations
which might call for suitable adaptations. What is really important
is that the Rosary should always be seen and experienced as a path of
contemplation. In the Rosary, in a way similar to what takes place
in the Liturgy, the Christian week, centered on Sunday, the day of
resurrection, becomes a journey through the mysteries of the life of
Christ, and he is revealed in the lives of his disciples as the Lord of
time and of history (On the Most Holy Rosary, n.38).
ADDITIONAL
PRACTICES
Use
an Icon to Set the Scene of Each Mystery
John
Paul suggest using icons as a means of deepening one's meditation on the
Mysteries.
| Announcing
each mystery, and perhaps even using a suitable icon to portray
it, is as it were to open up a scenario on which to focus
our attention. The words direct the imagination and the mind
toward a particular episode or moment in the life of Christ.
In the church's traditional spirituality, the veneration of icons
and the many devotions appealing to the senses, as well as the
method of prayer proposed by Saint Ignatius of Loyola in the
Spiritual Exercises, make use of visual and imaginative elements
(the compositio loci), judged to be of great help in
concentrating the mind on the particular mystery. This is a
methodology, moreover, which corresponds to the inner logic of the
Incarnation: in Jesus, God wanted to take on human features.
It is through his bodily reality that we are led into contact with
the mystery of his divinity (On the Most Holy Rosary, n. 29). |
Excerpt
taken from: Frisk, M. Jean. The Rosary of Jesus & Mary. Boston:
Pauline Books & Media, 2003, pgs. 67-69.
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