Rewarded as archetype of religious faith by authors from Origen to Kierkegaard, the sacrifice of Abraham presents human drama as confrontation of two wills and two freedoms: that of the creator and his creature. Chagall's rendering of this scene is of great subtlety. Using a mirror effect between the figures of Isaac and the angel, between Abraham's posture and that of the heavenly messenger, he suggests complementarity and ultimate unity between heaven and earth. In the end, there will be no opposition between the faithful Abraham and his God, because there exists a perfect match between human obedience and divine mercy. The bound and naked Isaac is a symbol of extreme vulnerability and suggests acute sensitivity to the word of God. God answers in kind, rushing his angel in sudden descent to arrest the movement of Abraham's knife. Thus, although bathed in an atmosphere of frightening proportions, the pictorial narrative speaks of two worlds reconciled by tender love. The latter, tender love, finds its artistic expression in the tiny white ram emerging from the thicket on the left. Too tiny for the giant knife, the ram is a reminder that God does not want sacrifices but love.
Related scripture reading: Genisis 22:9-14
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