An Exhibition of Religious Art
by Dorothea & James Kennedy
Exhibited at the Marian Library: March 4 - April 26, 1991
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The combined exhibition of the works of Dorothea and James
Kennedy represents the collaboration of thirty-one years of life
together, which ended only recently when James died of a heart
attack in 1990. This exhibit can be seen as a memorial to his
talents as well as a testament to the vision he shared with
Dorothea in their commitment to religious art.
This collaboration began when Dorothea and Jim met in the late
1950s at Edgecliff College in Cincinnati, Ohio, where Jim was a
professor of art history and sculpture. Their involvement in the
liturgical movement and the Cincinnati Liturgical Arts Group led
to commissions for sculpture and other art works for churches and
religious institutions.
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Educated at Washington University in St. Louis, Miami University
in Oxford and University of Cincinnati, Jim's works have included
commissions for St. Meinrad Archabbey, Cardinal Ritter, Bishop
McCarthy and the Pontifical College Josephinum, among others. His
works have been exhibited in Valencia, Spain, Edgecliff Academy
and Emery Gallery. Working primarily in bronze sculpture, he also
produced other metalwork including chalices and processional
crosses. As both an artist and an art historian, he brought to
his work a deep appreciation of the history of images in the
western world from ancient through modern times.
Dorothea received her education at Edgecliff College, Art Academy
of Cincinnati, Xavier University and in private study. Her many
exhibitions have included Liturgical Art '85, and the Josephinum
Artist Series. She has also had numerous commissions from
churches throughout the midwest. Her stoneware sculptures and bas
reliefs reflect her belief that the role of the artist in the
church is one of interpreting and visualizing faith and the
Christian life. In their long years of collaboration, during
which they raised a family and Jim was involved in the demands of
teaching, Dorothea feels he was both her best critic and her
moral support.
In 1988, Dorothea was one of three artists invited to submit
ideas for a sculpture of the Holy Family to be placed in the
Nazareth courtyard at the University of Dayton. Once chosen for
this project, she and her husband worked together in developing
the piece until his death. Since then she has spent most of her
time completing the work. She sees the depiction of the Holy
Family as appropriate to a university. Just as Jesus is stepping
into the world with the blessing and support of Mary and Joseph,
so university students are preparing for life, yet nourished and
supported by their parents.
WORKS DISPLAYED
by Dorothea Kennedy
Mother and Child, 1987, stoneware on wood
The Bell, 1988, stoneware and glass
Assumption, 1986, stoneware on wood
Waiting, 1984, pastel
Holy Family, 1989, painted stoneware model
Fiat, 1965, ceramic
Mary of the Assumption, 1986, cast aluminum
Nativity, 1985, stoneware
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by James Kennedy
Theotokos, 1962, bronze
Phoenix, 1962, bronze
Visitation, 1963, bronze
Root of Jesse, 1963, bronze
Life Force, 1963, bronze
Our Lady, 1952, ceramic holy water font
Nativity (Revised for casting in 1969 by Dorothea
Kennedy), hydrocal
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