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Melody Poltroneri was born in the Bronx and currently lives in New York City.
She attended U.C.L.A. and Otis/Parsons Art Institute, Los Angeles. Her art
has been exhibited at the Gallery Genesis in Chicago; Traction Gallery in Los
Angeles; Claremont College in Claremont, California; and Los Angeles Pierce
College in Woodland Hills, California.
"My work always has had a religious foundation. It is important that my painting be a vehicle for the viewer to explore their own feelings about God. The most immediately accessible images for me have been the traditional images of the Catholic Church. |
"I was raised an Italian Catholic, and the ritual as well as the pictures of
Mary and, naturally, the crucifix affected me deeply. The Church and its
images were the most important influences in my life. As an artist, these
same traditional images offer me an opportunity to explore the divine as well
as the sublime. The image must always engender an emotional response from me,
and ideally from the viewer as well.
"It is important that each picture allow the viewer an opportunity to find
something personal within themselves. My hope is that this kind of emotional
connection will be a spiritual experience for the viewer, regardless of his or
her religious persuasion. If my work can achieve this function, I feel that I
am contributing something."
Wassily Kandinsky once noted that "the spiritual life to which art belongs,
and of which it is one of the mightiest agents, is a complex but definite
movement above and beyond, which can be translated into simplicity"
(Concerning the Spiritual in Art). Melody Poltroneri's art is an attempt to
render in artistic "simplicity" this complex movement above and beyond. The
spiritual needs to be visual, the infinite finite, and intellectual perception
should lead to an emotional response, if the spiritual life wants to be truly
human.
WORKS DISPLAYED
Virgin and Child
oil, enamel, gold and silver leaf on paper
Madonna and Child
Head of Christ
oil, charcoal, and paint stick on paper
Holy Ghost 1987
oil and magna on paper
Logos I 1987
oil and paint stick on gessoed paper
Virgin
Crucifixion
paint stick on paper
This page, maintained by The Marian Library/International Marian Research Institute, was last Modified March 16, 2006 by Varun Gade. Please send any comments to ROTEN@data.lib.udayton.edu.