by Marian Paskowicz
Pieces of straw and a razor blade take the place of paint and
brush in the hands of Marian Paskowicz, of Norristown,
Pennsylvania. "Many persons in Poland do straw painting," says
the artist, who came to this country in 1960, "but in the U.S. it
is rare only because artistic persons never have been exposed to
it and never have thought of straw as a real or true art medium."
Marian Paskowicz began doing straw art at the age of sixteen.
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"The work demands art ability, manual dexterity, and patience,"
he says. "Yet, it is restful and rewarding, and one of the best
ways I know for many persons who have great creative drive to
satisfy this urge when they can't paint or sculpt."
The first step is to sketch or trace the subject carefully on paper or art board. The second step is to select the pieces of straw according to the tone and shadings requested by the subject, and to cut the straw accordingly with a sharp razor. Marian uses oat, rye, wheat, millet and barley straw to provide the various shades and textures he needs. Friends and relatives in Poland keep him supplied with the raw material. |
The artist carefully inlays and glues each strand on the detailed
sketch. He repeats the procedure until the drawing is completely
covered with varying shades of straw. He then cuts away the
surplus paper and fastens the work to a colored board - black,
blue, burgundy. The finished product is sprayed with a protective
coating.
The detail in the completed painting is nearly as fine as a
painter could do it with a brush. Shading, texture and lighting
of the straw give the work a golden glow.
Marian Paskowicz has "painted" a variety of subjects: state
capitols throughout the U.S., portraits of U.S. presidents, the
most famous vases of ancient cultures, the cathedral of Notre
Dame in Paris, Saint Peter's in Rome. Among his masterpieces are
counted "The Last Supper" and (imagine) the whole of the Sistine
chapel. This exhibit shows a selection of over 400 straw
madonnas.
Marian Paskowicz's art form is unique, and the artist is not
eager to sell. Each of the hundreds of straw paintings is
copyrighted. Marian's ambition is not critical acclaim, fame or
wealth. He has an artist's dream, which is also the dream of a
man with a generous heart. His dream is someday to have his own
museum, where he can display his work for the joy of the
audience, and use the proceeds to help the homeless.
WORKS DISPLAYED
Madonna and Child with St. John after Sodoma
Flight into Egypt after Murillo
The Virgin with the Infant Jesus and St. John after Correggio (attrib.)
Madonna Litta after Leonardo da Vinci (Boltraffio)
Pieta after Michelangelo
Our Lady of Czestochowa
Madonna and Child after Bodenhausen
Madonna of the Pomegranate after Boticelli
Madonna and Child (I) after Filippo Lippi
Vierge de Douleur after Marmion
The Virgin and Child after Bouts
Madonna and Child (II) Filippo Lippi
The Rest on the Flight into Egypt after Cantarini
Virgin and Child after Murillo
Nativite after Nicoloas Mignard
The Annunciation after Filippo Lippi
Madonna of the Street after Feruzzi
This page, maintained by The Marian Library/International Marian Research Institute, was last Modified March 16, 2006 by Varun Gade. Please send any comments to ROTEN@data.lib.udayton.edu.