Engravings of Old Masters
Treasures of The Marian Library

July 1 - August 27, 1999



The History of Engravings

Although the process of producing copies of texts, drawings and paintings by various means is very ancient, the art form of engraving as exemplified in the works exhibited developed with the rapid and cheap production of paper derived from linen by the end of the fourteenth century. Production of paper parallels a period of advancing technical skills in the graphic arts. The demand for inexpensive religious images (and for playing cards) gave rise to a widespread market for the printed, re-produced image.

According to Carolo Alberto Petrucci, Encyclopedia of World Art: "The earliest dated print seems to be that of The Virgin, of 1418, preserved in Brussels". (Cabinet des Estampes, Bibliothèque Royale) The early engravings were made on woodcut and on metal. The artist carved the reverse of what the engraving has meant to portray.

The work of the two major artists exhibited here represent the peak of the arts of engraving and became the norm for ensuing centuries. Martin Schongauer (ca. 1450-1491), the most noted of the early printmakers, was also known as a painter. According to R. J. Verostko, New Catholic Encyclopedia, Schongauer's "work stands out for its precision and inventiveness" among the engravers of the Upper Rhine region. Verostko states, "He brought to engraving a painter's ability to articulate tone and spatial depth. With the burin he introduced multiple tones and textures to the print by varying the mode, frequency, and kind of incision employed on the plate. He treated religious subjects, particularly the life of Mary and the Passion of Christ; there are about 115 plates signed with his monogram.

N. K. Smith, New Catholic Encyclopedia, speaks of Albrecht Dürer (1471-1528)as a man of a deeply religious spirit and admirable character. "In his early years he was affected by the apocalyptic and millenarianistic fever that attended the famines, plagues, and social upheavals that shook Europe in the 1490s." Dürer is noted mainly for his woodcuts and engravings. More than three-hundred of his prints found a ready market.

The engravings of The Marian Library were produced mainly during a revival of the art in the late seventeenth and eighteenth centuries with the development of facsimile engraving in imitation of the Masters. The engravings are not for sale.


Works on Display

The Veneration
of Our Lady
(The Life of the Virgin)

Albrecht Dürer
1510
Glorification
of The Virgin
Dürer School
Albrecht Dürer
ca. 1520
Assumption and Coronation
(The Life of the Virgin)

Albrecht Dürer
ca. 1520
The Spirit Comes over Mary and the Apostles
Hans Schäufelin
ca. 1509
Death of the Virgin
Martin Schongauer
ca. 1485
Annunciation
Albrecht Dürer
ca. 1510
Madonna in the Courtyard
Martin Schongauer
ca. 1480
Flight into Egypt
Martin Schongauer
ca. 1475
Christ Appearing to Mary Magdalene
Martin Schongauer
ca. 1480
Annunciation
Martin Schongauer
ca. 1484/5
Christ on the Cross
with Centurion

Martin Schongauer
ca. 1470
Madonna at the Moat
Albrecht Dürer
1514
Madonna on a Grassy Bench
Martin Schongauer
ca. 1480/1
Nursing Madonna
Albrecht Dürer
1512
Madonna with the Parrot
Martin Schongauer
ca. 1474
Madonna with the Apple
Martin Schongauer
ca. 1488
The Marian Library
International Marian Research Institute
300 College Park Avenue
Dayton, OH 45469-1390
(937) 229-4214
JRoten1@udayton.edu
Visitation
Monogrammist MF
ca. 1550


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This page, maintained by The Marian Library/International Marian Research Institute, Dayton, Ohio 45469-1390, and created by J.C. Tierney , was last modified Monday, 07/23/2012 09:08:06 EDT by Ann Zlotnik . Please send any comments to jroten1@udayton.edu.

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