• The History of Engravings
• Works on Display

The History of Engravings

Although the process of producing copies of texts, drawings and paintings by various means is very ancient, the art form of engraving as exemplified in the works exhibited developed with the rapid and cheap production of paper derived from linen by the end of the 14th century. Production of paper parallels a period of advancing technical skills in the graphic arts. The demand for inexpensive religious images (and for playing cards) gave rise to a widespread market for the printed, re-produced image.

According to Carolo Alberto Petrucci, Encyclopedia of World Art: "The earliest dated print seems to be that of The Virgin, of 1418, preserved in Brussels (Cabinet des Estampes, Bibliothèque Royale)." The early engravings were made on woodcut and on metal. The artist carved the reverse of what the engraving has meant to portray.

The work of the two major artists exhibited here represent the peak of the arts of engraving and became the norm for ensuing centuries. Martin Schongauer (ca. 1450-1491), the most noted of the early printmakers, was also known as a painter. According to R. J. Verostko, New Catholic Encyclopedia, Schongauer's "work stands out for its precision and inventiveness" among the engravers of the Upper Rhine region. Verostko states, "He brought to engraving a painter's ability to articulate tone and spatial depth. With the burin he introduced multiple tones and textures to the print by varying the mode, frequency, and kind of incision employed on the plate. He treated religious subjects, particularly the life of Mary and the Passion of Christ; there are about 115 plates signed with his monogram.

N. K. Smith, New Catholic Encyclopedia, speaks of Albrecht Dürer (1471-1528)as a man of a deeply religious spirit and admirable character. "In his early years he was affected by the apocalyptic and millenarianistic fever that attended the famines, plagues, and social upheavals that shook Europe in the 1490s." Dürer is noted mainly for his woodcuts and engravings. More than 300 of his prints found a ready market.

The engravings of The Marian Library were produced mainly during a revival of the art in the late 17th and 18th centuries with the development of facsimile engraving in imitation of the Masters. The engravings are not for sale.

Works on Display

Assumption and Coronation (The Life of the Virgin) Albrecht Dürer 1510	Glorification of The Virgin (The Life of the Virgin) Albrecht Dürer ca. 1502	Assumption and Coronation (The Life of the Virgin) Dürer School ca. 1520	The Spirit Comes Over Mary and the Apostles Hans Schäufelein ca. 1509
Death of the Virgin Martin Schongauer ca. 1478	Visitation MF	Madonna in the Courtyard Martin Schongauer ca. 1480	Flight into Egypt Martin Schongauer ca. 1475
Christ Appearing to Mary Magdalene Martin Schongauer ca. 1481	Annunciation Martin Schongauer ca. 1484/5	Christ on the Cross Martin Schongauer ca. 1470	Madonna at the Moat Albrecht Dürer 1514
Madonna on a Grassy Bench Martin Schongauer ca. 1480/1	Nursing Madonna Albrecht Dürer 1512	Madonna with the Parrot Martin Schongauer ca. 1474	Madonna with the Apple Martin Schongauer ca. 1488
	The Marian Library/ International Marian Research Institute 300 College Park Avenue Dayton, OH 45469-1390 (937) 2294214 ROTEN@data.lib.udayton.edu
Annunciation (The Small Passion) Albrecht Dürer 1510

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Mary Page, maintained by The Marian Library/International Marian Research Institute, Dayton, Ohio 45469-1390, was last modified August 31, 1999 by J.C. Tierney. Please send any comments to ROTEN@data.lib.udayton.edu.

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